El último villancico barroco valenciano

Titles: Principles of Study and Guidance * Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Long, Long Ago (T.H. Bayly) * Allegro (Shinichi Suzuki) * Perpetual Motion (Shinichi Suzuki) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Etude (Shinichi Suzuki) * Minuet 1, Minuett III from Suite in G Minor for Klavier, BWV 822 (J.S. Bach) * Minuet 2, Minuet, BWV Anh. II 116 from Notebook for Anna Magdalena Bach (J.S. Bach) ...

Drawing on the work of leading experts from around the globe, Musicology and Sister Disciplines provides the definitive, authoritative statement on the scope of musicology today and its relationship to other fields of academic endeavour, including philosophy and aesthetics, literary studies, art history, mathematics, computer science, historiography, and sociology. These groundbreaking papers represent the outcome of a major musicological conference in 1997, and include contributions from the philosopher Bernard Williams and world-famous mathematician Roger Penrose.

¿Dónde está la poesía? ¿En qué órbita giran sus destellos inexplicables? Una palabra responde estas preguntas: misterio. También se la reconoce por otro factor común: es una literatura volátil de fondo, que opera siempre en las profundidades de las personas. Hasta allí son capaces de llegar sus rayos y multiplicarse en ecos de mil tonos, vibraciones inesperadas y actos concretos de revelación. ¿Y el poeta dónde está? Está de espaldas a la vida civil y contra la calamidad de hacer o ser un producto; está en la noche, en las horas de insomnio, en la barra de los bares, en el...

Recognized as the most significant composer from New Spain in the early eighteenth century, Manuel de Sumaya (ca. 1678–1755) oversaw musical activity at Mexico City Cathedral during a time of stylistic change. Sumaya, who was locally born and ordained as a priest, wrote music that mixes the counterpoint and rhythmic vigor of seventeenth-century Hispanic music with more modern Italianate gestures prescient of international taste in the eighteenth century. This edition of all thirty-four villancicos with music by Sumaya conserved in the Estrada Collection at Mexico City Cathedral reveals the...