El show de Trump / Trump and Me

Resumen del Libro

Desde que Donald Trump se sumó a la carrera por la presidencia de Estados Unidos —en una rueda de prensa a la que asistieron actores pagados y en la que calumnió a los migrantes mexicanos— ha monopolizado los titulares de los periódicos y se ha convertido en el centro de una de las elecciones más extrañas y alarmantes de la historia norteamericana. No siempre fue así. En 1996 el veterano colaborador del New Yorker, Mark Singer, realizó un perfil del pintoresco personaje. En esa época, Trump era tan sólo un megalómano mentiroso de manhattan y un fracasado operador de casinos que intentaba recuperarse de los procedimientos legales de quiebra que le exigían hacer un inventario de su hogar: un rascacielos que lleva su nombre. Mientras conversaba con Trump en sus oficinas, sus pisos, sus coches e incluso en un avión privado, Singer se descubrió a sí mismo fascinado con este hombre que “alcanzó el lujo máximo: una existencia sin el perturbador rumor de un alma”. En este libro, el autor actualiza el célebre perfil y relata cómo su publicación significó una continua provocación para Donald Trump, quien pasó de ser un bufón estridente a una amenaza, un multimillonario que pretende volverse el guardián del orden mundial. ENGLISH DESCRIPTION Ever since Donald Trump entered the presidential race—in a press conference attended by paid actors, in which he slandered Mexican immigrants—he has dominated headlines, becoming the unrestrained id at the center of one of the most bizarre and alarming elections in American history. It was not always so. In 1996, longtime New Yorker writer Mark Singer was conscripted by his editor to profile Donald Trump. At that time Trump was a mere Manhattan-centric megalomaniac, a failing casino operator mired in his second divorce and (he claimed) recovering from the bankruptcy proceedings that prompted him to inventory the contents of his Trump Tower home. Conversing with Trump in his offices, apartments, cars, and private plane, Singer found himself fascinated with this man “who had aspired to and achieved the ultimate luxury, an existence unmolested by the rumbling of a soul.” In Trump and Me, Singer revisits the profile and recounts how its publication lodged inside its subject’s head as an enduring irritant—and how Singer (“A TOTAL LOSER!” according to Trump) cheerfully continued to bait him. He reflects on Trump’s evolution from swaggering buffoon to potential threat to America’s standing as a rational guardian of the world order. Heedlessly combative, equally adept at spewing insults and manipulating crowds at his campaign rallies, the self-proclaimed billionaire has emerged as an unlikely tribune of populist rage. All politics is artifice, and Singer marvels at how Trump has transfixed an electorate with his ultimate feat of performance art—a mass political movement only loosely tethered to reality.