El futuro era nuestro

¿Qué posiciones toma la Iglesia sobre lo que sucede en el mundo contemporáneo? ¿Cómo percibe y afronta el proceso de secularización? El autor inicia su respuesta en el pontificado de Benedicto XV, pues coincide con el inicio de la Primera Guerra Mundial, clave para comprender la crisis de la cultura de la Modernidad. El siglo breve finalizaría con la caída del muro de Berlín y, por tanto, durante el pontificado de Juan Pablo II. Pero es tal la continuidad que se establece con Benedicto XVI que el autor considera imprescindible incluirle en este análisis.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

La historia del rey de los reyes es la última obra en la que trabajó fray José de Sigüenza, cuyos últimos capítulos estaban inconclusos cuando le sobrevino la muerte en 1606. Pese a ello, la gran cantidad de texto conservada permite conocer con claridad las directrices ideológicas, intelectuales y estéticas del último gran proyecto seguntino, caracterizado por la particular impronta formal que este insuflaba a sus textos y por el seguimiento fiel de los modelos de autoridad, Montano sobre todo.